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Mathieson Costa Brava 01
Mathieson Architects
201/105 Reservoir Street
Surry Hills
NSW 2010 Australia
Mathieson Our World Can Lis 01
Jørn Utzon’s Study in Light, Material, and Place
Perched on Mallorca’s sun-bleached cliffs, Can Lis feels as though Jørn Utzon carved it directly from the island’s stone, merging it seamlessly with its surroundings. My recent visit to this architectural marvel revealed not only the profound sense of place Utzon achieved but also the harmony between structure and landscape. It’s a special pilgrimage for anyone passionate about architecture, especially someone from Australia, where we are privileged to have Utzon’s Sydney Opera House.

Upon arrival, the house’s connection to its setting is unmistakable. Each room opens toward the Mediterranean, creating an almost cinematic experience of the landscape. Heavy sandstone walls, grounded and solid, are interrupted by wide windows that frame views like living paintings. Yet, despite its monumental presence, the home feels intimate—each space carefully scaled and each angle deliberate.

As I moved through the series of rooms, I was continually struck by how Utzon used materiality to foster atmosphere. The rough-hewn sandstone, warm wood, and terracotta feel deeply connected to the land. Light and shadow play across textures, heightening the connection between interior and exterior spaces.

The spatial arrangement at Can Lis is equally masterful. Rather than imposing one grand space, Utzon fragmented the house into smaller pavilions that unfold along the cliffside. This break in form allows the site to shape the layout, with each pavilion offering a unique perspective to pause and reflect on the scenery. Moving from one space to another reveals the landscape’s beauty, crafting a dialogue between architecture and nature.

What lingers isn’t just the view or materials but the sensation of being within the space—the subtle shifts in air as you move from one pavilion to the next. Can Lis celebrates architecture that engages all the senses, creating an immersive experience that transcends the physical structure.

Reflecting on this journey, I’m captivated by how Utzon’s design fosters a deep connection to its surroundings, inviting visitors to engage with both the architecture and the breathtaking landscape. Each corner offers a new perspective, a fresh moment of contemplation, underscoring the idea that architecture can serve as a bridge to the natural world.
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Building entry with crescent shaped opening to sea beyond.
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Living space.
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Covered outdoor dining opening to courtyard.
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Much of the furniture is built in and finished with locally made glazed tiles.
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A pathway between the pavilions.
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Words by Ariel Ophir-Verheyden

Images by Iwan Baan, courtesy of the Utzon Foundation.